SPECULATIVE RESEARCH . MOODBOARD & INSPIRATION . FUTURE FASHION PROJECT/DESIGNING THE FUTURE . JILL ENSERINK

POLYGONS ARE THE WEFT OF THE WEAVE CHARLOTTE SIMONS
A fashion collection based on digital plugins, options are endless

HYPERSTITION CLARA ESCALERA
A fashion collection without physical boundaries

puts herself in the role of a future fashion designer

puts herself in the role of a future fashion designer

puts himself in the role of a regenerating fashion designer

INTERVIEW VIRGIL ABLOH
An article where Virgil Abloh regenerates streetwear with LV2

she regulates fantasy as an escape from all our realities

THE UTOPIA LIVES ON THE DANCE FLOOR ALICE BARDOU
"Night clubs are dying but club culture is living in each and everyone of us"

WOO BEA VAN GRUTTEN
"a system to make emotional signals clearer, to bring back trust and clarity among the sexes"

puts herself in the role of a physical emotion designer

DECRYPTED GARMENTS SANTA KUPCA
Physical and digital world both have restrictions

puts herself in the role of a future fashion designer

STUCK-AT-HOME MASQUERADE SANTA KUPCA
Learning to appreciate your physical space by blending in with the decor

puts herself in the role of a future fashion designer

ANSWER TO RESEARCH QUESTION . WHAT WILL WE LOOK LIKE IN 2120? . SPECIFIED: HOW DO WE EXPRESS OUR VISUAL IDENTITY IN 2120?

Doom scenario: How do we expres our visual identity in 2120? --> my ruin from present to future

statement Charlotte Simons

FUTURE DESIGNER STATEMENTS . WHAT IS MY STATEMENT AS FUTURE DESIGNER . WHAT IS THE IDEAL FASHION SYSTEM?

statement Clara Escalera on Hyperstition

statement Santa Kupca

Both physical and digital aren't perfect, there are always restrictions

When fantasy has direct consequences on reality

statement Star trek (1969)

Where no one has gone before

statement Interstellar (Christopher Nolan)

Humans are marvelous

INTERVIEW WITH EMILY SEGAL
In this interview wears de definition of 'hyperstition' which interfaces with my research.

she is a trend forecaster

MY FUTURE STATEMENT

MY FUTURE STATEMENT

MY FUTURE STATEMENT

MY FUTURE STATEMENT

MY FUTURE STATEMENT

MY FUTURE STATEMENT

There isn't only one truth or reality since everything is under production. When it comes to predicting the future, fantasy is what you have to rely on.

measurements for an ideal fashion system

* One where the fashion industry doesn't cause any environmental pollution
* One where everybody can express themselves
* One where exhaustion of human labour is expelled
* One where's a balance between the digital and physical world
* One where everybody is equal
* One that is EVERYTHING but the same as we have today
* One where fantasy has a leading role
* One where clothes have their own lives, so you have to treat them well

Suggestions
* digitalization has made its introduction in the fashion world
* this mix between fashion and digitalization is accessible for everybody.
* doom: climate change has gotten so much worse that some industries cannot continue to live on any longer
* what if we have to move to another planet and cant bring our clothes, had to anticipate in time and find a solution for it
* what if there are no beauty standards --> a world without beauty standards
* instead of throwing stuff away, taking care of it. even your clothes
* what if aliens discovered our planet
* mentality switch: we have to take care of our clothes instead of that clothes have to compete with our desires

BIOGARMENTRY ROYA AGHIGHI
What if textiles were alive and photosyntasized?

present: she brings textiles to live

Doom scenario: How do we expres our visual identity in 2120? --> my ruin from present to future

ENDING RESULT . WHAT IS THE OUTCOME . HOW DOES IT WORK . WHAT IS THE PLANNING

Base: bodysuit that is adjustable in BLACK

BASE

FORMS THAT REPRESENT VISUAL IDENTITY

EMOTIONS

GRAPHICS . PROCESS . FEELING LOVED

The suit is (un)extendable to cope with temperature changes. The suit will carry its basic value: protect the human body against cold etc

* choose one season that is going to be presented in the publication, since there is not enough space for 10 photos with the different extends/adjustables of the suit with its visual identity.

GRAPHICS . PROCESS . FEELING ANGRY

present: they experiment with organic material to use it on clothing

VIN + OMI
Textile production based on science,social, problem solving and environmental awareness